"The real triumph is that the sum of its parts add up to something unique... it borrows from various sources, including Mummenshanz (perhaps its closest relative), Blue Man Group, Cirque du Soliel, and Stomp..and there’s no question kids will appreciate the non-stop action and wild costumes!"
Chuck Darrow, Gannett New Jersey Newspapers
A SENSATIONAL HIT AROUND THE WORLD, THIS STUNNING AND INCREDIBLE PRODUCTION OFFERS A THEATRICAL EXPERIENCE THAT IS TOTALLY UNIQUE, COMBINING AMAZING SPECIAL EFFECTS, ACROBATICS, JAZZ AND MODERN DANCE, PUPPETRY, DAZZLING ALUMINUM COSTUMES AND LIGHTING. THIS SHOW IS CERTAIN TO BE A DELIGHT TO AUDIENCES OF ALL AGES, AND A HIGHLIGHT OF YOUR SEASON!!
"An extraordinary performance... a pure pleasure."
"La Tribune" Newspaper (France), Performance Review
"Incredible show!"
"La Provence" Newspaper (France), Performance Review (23 July 2007)
"A touching show that presented the best of the stage's tradition, in the light of the current artistic avant-garde."
"Hacer" Magazine (Argentina), Performance Review (21 November 2005)
"La noche del 10."
Maradona's TV Show, Argentina (November-December 2005)
"A creative, exciting, surprising and stimulating show... an hour of magical adrenalin rush, loads of fun."
"Yediot Aharonot" Newspaper, special review for Hanuka (28 December 2005)
"A ravishing and engaging show. A finely orchestrated visual collage. The music envelops the performance with precision; the beautiful lighting makes love to the glittering space and the aluminum. Rush on there and be dazzled"
"Time Out" Tel-Aviv Magazine, the Critics Choice (10 July 2003)
"Let's start at the end – amazing. What was amazing? Everything..."
"Ma'ariv Online" site, Israel Festival Review (4 June 2003)
"Aluminum features moving objects, a choreographic sculpture and dreamy dynamics interlaced with all the elements which constitute a great stage production... Switzerland has the Mumenshantz, the USA has Stomp and Blue Man Group and Israel has the Dollbeat group."
"Ynet" Website, Israel Festival Review (1 June 2003)
"A rich choreographic structure, a high level of artistry"
"Ballettanz" Magazine, "On Stage" (February 2004)
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